![]() ![]() To give you an idea of the tools I worked with I made a panoramic shot of my workbench in about mid-project (it tended to look worse to the end of the project). The most important were a dremel and 2-component glue. You have to either ask the theatre (but to my knowledge the will not rent/or sell abroad) or to build one by yourself. I would gladly see what you made!Īnd as stated in my profile: I don't own this mask/nose, it belongs to the theatre, I built it for and I don't work in that theater anymore. Please leave me a picture of your successful build in the comments. It seems, that a lot of people try on building such a nose with the help of this instructable, which is a great honour for me. Above you see the very first of these prototypes, the rehearsal mask and the (almost) final mask. Over the time of about two months, I built various prototypes and two final noses, because when doing double shows, it's nice to have second (dry) mask to put on for the second show of the day. I agreed to do the technical part and makeup did the design part. It was very clear, that neither the makeup department, nor the props department could do this all alone, so we joined forces. Our director wanted to have the nose growing and shrinking visibly on stage without anyone touching it. A lot of theatres do this part of the play in a way that the actor has an extra nose he puts on in this moment, or he pulls the point of his nose to make it longer or they just do nothing at all. As probably most of you now, it's the story of a little wooden puppet becoming a real boy, and while still in his wooden stage, his nose is growing longer and longer, when he's telling a lie. In autumn 2015 it was the nose for Pinocchio. In my line of work as a propsmaster, from time to time I meet a very special challenge.
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